Ariadne Auf Naxos: Comic vs. Tragic
Richard Strauss: Ariadne auf Naxos (Complete)
One World Symphony
Sung Jin Hong, Conductor
After One World Symphony's acclaimed success with Strauss' Salomé, conductor Sung Jin Hong and his "lustrous and beautiful" orchestra and cast of vocal soloists continue their exploration of Strauss with Ariadne auf Naxos. Background becomes foreground in this music-drama that intimately captures the world of the stage. Discover how audiences have reveled in Ariadne's brilliant blend of comedy and tragedy for almost a century, in a work featuring ravishing music, bravura sopranos, masterful orchestration, wit, intelligence, and pathos.
Sung
Jin Hong is the artistic director, composer, and conductor
of One World Symphony. Mr. Hong has guest conducted in Europe,
such as Stadt Wien Konservatorium Orchester in Vienna, Austria,
Lyrique-en-mer Festival in Brittany, France, and The Royal
Northern Conservatory of Music in Manchester, UK. In the
U.S, he has guest conducted the Tulsa Symphony Orchestra,
Tulsa Ballet Company, Manhattan School of Music Symphony,
Mannes Orchestra, San Francisco Symphony Youth Symphony,
Bard College Orchestra, Illinois Wesleyan New Music Players,
Western Illinois University Cello Choir, Bradley University
Wind Ensemble, Great Music For A Great City at CUNY, Wayne
State University Symphony, the Prospect Chamber Players,
Twin Cities Ballet Company, and Take Dance Company. Mr. Hong
has held positions as Music Director and Conductor of Peoria
Sinfonietta and Principal Conductor of IES Singerverein in
Vienna. He has also collaborated with musicians from the
MET Orchestra, New York Philharmonic and Berlin Philharmonic
as a conductor. Highlights for the upcoming season include
leading One World Symphony's new season as its artistic director
and conductor and guest engagements conducting The Tulsa
Ballet, Tulsa Symphony, Fiery World Music Orchestra in Los
Angeles, The Gandharvas, and his debut in Dallas conducting
musicians from Dallas Symphony Orchestra. He has also conducted
and recorded world premieres for the world's leading classical
record label Naxos. Mr. Hong had the great honor of being
personal chosen by the New York Philharmonic Laureate Conductor
Kurt Masur to conduct in masterclasses and a concert in New
York.
Lawrence
Rush, Stage
Director/Peruckenmacher.
For One World Symphony, Mr. Rush directed Salomé and
performed Jaquino in Fidelio and Second Nazarene in Salomé.
He directed a national tour of The Barber of Seville for
the National Theater of the Performing Arts and composed the
score for their tour
of A Maiden’s Consent. With TADA!, he leads musical
theater and songwriting programs in elementary schools. As
a singer,
Mr. Rush recently performed the role of Snedeker in William
Schuman’s opera The Mighty Casey with the Gregg
Smith Singers. Other roles include Lenski in Eugene Onegin,
Frederic in Pirates of Penzance and George in Sunday
in the Park with George. As a member of the San Francisco
Opera Chorus he performed and covered small roles. Also an
award-winning composer of
choral music, musicals and art songs, his musical adaptation
of Pride & Prejudice was a Richard Rodgers Award
finalist this year. Mr. Rush is a member of the BMI Advanced
Musical Theater Workshop.
Lauren
Bradley has performed in the United States and Europe
with companies such as the Amalfi Music Festival (Le Nozze
di Figaro), Lake George Opera (La Traviata, Madama
Butterfly, H.M.S. Pinafore), New York Opera Project (Susannah)
DiCapo Opera Theater, Opera Company of Brooklyn (Die Zauberflöte),
Champagne and Candlelight, Opera di Camera (The Old Maid
and the Thief) and The Bronx Opera Company (The Bartered
Bride). In 2007, Ms. Bradley was a district winner in
the Metropolitan Opera National Council competition, a finalist
with the Connecticut Opera Guild and a quarter-finalist in
the Hans Gabor Belvedere Competition in Vienna, Austria.
An avid performer of new music, Ms. Bradley made her Weill
Hall debut in May 2004, featuring a Requiem for Soprano,
Piano and Cello. Additionally, Ms. Bradley was a featured
soloist with the Clarion Music Society in 2007 at Weill Hall
and was reviewed by David Moore of American Record Guide: "Lauren
Bradley's expressive soprano… was especially impressive." Ms.
Bradley has a Bachelor of Music from The Boston Conservatory
and studied German Lied at the Mozarteum Summer Academy.
Natasha Uspensky graduated from the Oberlin Conservatory, where
she studied with Department Chair Gerald Crawford, and performed
as Marcellina (Le Nozze di Figaro), under the baton of Eve
Queler. Her studies took her to Europe where she sang Adina
(L'elisir d'amore) and Ilia (Idomeneo) with the Oberlin In
Italy summer program. Ms. Uspensky has covered the Bridesmaids
(Der Freischutz) with the Opera Orchestra of New York, and
sung the roles of Not and Magna Peccatrix in Schumann's Faust with the Cleveland Orchestra, under the baton of Franz Welser-Most.
She was a young artist with Intermezzo Opera, where she sang
Alice Ford (Falstaff), and recently performed as La Ciesca
(Gianni Schicci) with Rockland Opera. She is currently living
in New York, where in addition to studying with Elizabeth
Cole and singing in various capacities throughout the city,
she also works as an actress.
Soprano Amberleigh
Aller is very excited to be singing Lucia's Mad Scene
with One World Symphony. She recently performed with conductor,
Sung Jun Hong, as Pamina in Die Zauberflöte,
Frasquita in Carmen, and Marzelline in Fidelio.
Other roles include Giulietta in I Capuleti e i Montecchi,
Oscar in Un Ballo in Maschera, Olympia in Les Contes
d'Hoffmann and Norina in Don Pasquale. Ms. Aller
also has a great appreciation for contemporary music and
has had the opportunity to work with many living composers
including Thomas Pasatieri, Robert Kritz, Stanley Grill,
Robert Paterson and Philip Glass. Upcoming, she will perform
Schoenberg's Pierrot Lunaire with Forecast New Music and
a one-act opera by New York composer James Barry.
Elena
McEntire has performed in several programs with One World
Symphony and is delighted to be collaborating on Ariadne
auf Naxos as the impassioned Komponist. Previous One
World Symphony performances include Carmen, Sesto (La
Clemenza di Tito), Sesto (Giulio Cesare), Meg
Page (Falstaff), David (Saul), and new works
by resident composer Stanley Grill. Ms. McEntire has performed
opera and concert repertoire with several New York area companies
and joined the roster of the New York City Opera this season
as Madame de la Haltiere (alt, Cendrillon). Additional
roles include the title role of Xerxes, Cherubino (Le
Nozze di Figaro), Adalgisa (Norma), and several
appearances in the title role of Carmen in the U.S. and abroad.
Performance highlights include featured appearances with
the Aspen Music Festival, One World Symphony, Philharmonic
Orchestra of Luxembourg, Vratza (Bulgaria) Opera and Philharmonic,
and San Francisco Song Festival, an award-winning run in
the Broadway Production of Puccini’s La Bohème,
and concert performances at San Francisco’s Herbst
Theater and New York’s Jazz at Lincoln Center. Additionally,
Ms. McEntire is the founder and co-chair of One World Symphony’s
unique Community Music Program.
Karen Rich, a soprano from Springfield,
MA, has traveled across America and Europe performing in both
musical theater and opera. Favorite roles include Salomé,
Tosca, Fiordiligi, Ariadne, Alice Ford, Rosalinda and the Marschallin.
Ms. Rich has been heard in several operatic premieres by American
composers in New York City, such as The Ballad of Barbara
Allen by Jan Tyler Andrus, at Weill Recital Hall; the title
role in The Snow Queen at The Village Theatre, and Favorite
Night, by Stephen Nye. She was an active member of the
New York Gilbert and Sullivan Players for many years, playing
Edith in The Pirates of Penzance, Lady Angela in Patience,
Sacharissa in Princess Ida and many others at Symphony
Space in New York and on national tours. In 2005 she was seen
at Symphony Space in the new William Banfield jazz opera Gertrude
Stein Gets a Jump Early On and as Helen in Ned Rorem's Three
Sisters Who Are Not Sisters (hailed as "excellent" by
the New York Times), both with Encompass Opera. She
has also sung two seasons with New York's venerated Amato Opera
Theater, performing Rosalinda in Die Fledermaus, Amelia
in Un Ballo in Maschera and Micaela in Carmen.
In Italy, Ms. Rich has performed concerts in Chiari, Bergamo
and Brescia, and studied at the International Institute of
Vocal Arts with such notable artists as Sherrill Milnes and
Regina Resnick. She has also sung concerts abroad in Sweden,
Austria and Barbados. Her most recent NYC recital appearance
was at the Donnell Library Center in midtown Manhattan, where
she premiered new song cycles by two contemporary American
composers, Valerie Saalbach and Lawrence Rush. Other favorite
recital and song repertory includes works of Schoenberg, Strauss,
Berg, Brahms, Faurè, Weill, Duparc and Poulenc. Ms.
Rich is delighted to be returning to One World Symphony in
the role of Komponist in Ariadne auf Naxos after singing
the title role in Salomé with them last year.
In July, she will sing the role of Electra in the stage premier
of Yellow Electras at St. Mark's Theater in New York
City.
Caleb
Stokes (Bacchus) is a native of Pleasantville,
NY and studied voice at Oberlin and Yale. This season's credits
include the title role in Peter Grimes with
One World Symphony and Le Chevalier in Carmelites with
Sur Les Planches. This summer Mr. Stokes will join the Dell'Arte
Opera Ensemble as Don José in Carmen.
Next season's schedule includes Alfredo in La Traviata and Wagnerdämmerung
-- An Evening of Wagner Scenes and Arias with Sur Les
Planches. Past credits include Narraboth in Salomé (OWS),
Boris in Kat'a Kabanova (Yale Opera), The Governor/Vanderdendur
in Candide, Joe in Gershwin's Blue Monday and Snout
in A Midsummer Night's Dream (Orchestra di Milano
Giuseppe Verdi) and Male Chorus in The Rape
of Lucretia with Operamici.
Laura Farmer, soprano, has sung a wide range of roles including Norina (Don Pasquale), Adele (Die Fledermaus), Josephine (HMS Pinafore), Monica (The Medium), Gretel (Hansel and Gretel) and Despina (Cosí fan Tutte) with companies including Des Moines Metro Opera, Natchez Music Festival, Tulsa Opera and Liederkranz Opera. Internationally, Ms. Farmer performed Giulietta (I Capuleti e i Montecchi) in a tour of the Czech Republic and Giulia (La Scala di Seta) in Teatro di Pacini (Tuscany). Ms. Farmer was also a finalist in the National Opera Association competition. Following graduation from Yale University, Ms. Farmer appeared as a jazz vocalist with Whim’n Rhythm in a nine-country tour of the Far East; the group was featured at the U.S. Embassy in Thailand and Club Med Bali, as well as on Korean national television and radio.
Rebekah
Beaver made her debut with One World Symphony in this
season's Peter Grimes. Other recent NYC performances
include Gilda (Rigoletto), Zerlina/Barbarina cover
with Opera Company of Brooklyn, Frasquita (Carmen)
read through performance with Opera Company of Astoria, scenes
in Dicapo Opera Theatre's summer program and some cabaret
shows in the city. Described as possessing "a sparkling
voice capable of astounding range and versatility, silvery
coloratura, and a vibrant stage personality," she also
performed the role of Lucia in The Rape of Lucretia in
Connecticut and recitals in Germany and Italy. A native of
Louisiana, Ms. Beaver holds a Masters in Opera Performance
from Boston Conservatory and a B.M. with a minor in Italian
from Louisiana State University.
Katherine
Wessinger is artfully capturing audiences everywhere
with her enchanting soprano voice and passionate interpretations.
Some of her most recent performances include Bach's Easter
Oratorio and Haydn's Nelson Mass with Dr. Andrew
Henderson and the St. Andrew's Chorale of Madison Avenue
Presbyterian Church, and Couperin's Trois Leçons
de Ténèbrae with soprano Sarah Pillow.
Other recent performances include collaborations with St.
Mary's College of Maryland at the Italy and USA Alba Music
Festival, performing Mahler Symphony No. 4, Del Tredici
Dracula, and Bach Cantata No. 51 under the direction
of Jeffrey Silberschlag, and at the River Concert Series
under the direction of Larry Vote. In 2005 she sang the New
York City premiere of the recently discovered Händel's Gloria.
Ms. Wessinger made her debut with the One World Symphony as Ellen Orford in Peter Grimes this past January.
Soprano Mechelle Tippets has been hailed
as a "bright-voice soprano" with a "powerful
voice," and makes her soloist debut with One World Symphony
as Echo in Ariadne. Operatic credits include Gertrude
Stein (Mother of Us All), Ellen Orford (cover) (Peter
Grimes), Aunt Julia (Claudia Legare, NYC premiere),
Second Lady (Magic Flute), Donna Elvira (Don Giovanni),
Miss Havisham (Miss Havisham’s Wedding Night),
Mother (Hansel and Gretel), and the Witch (Dido and
Aeneas). As a concert soloist Ms. Tippets has performed
as the soprano soloist for Handel’s Messiah, Barber’s Andromache’s
Farewell, Haydn’s Creation Mass, and Pergolesi’s Stabat
Mater. She was a Resident Artist at Dicapo Opera Theratre
in 2003–04 and 2004–05. Ms. Tippets received an
Encouragement Award from Metropolitan Opera National Council
Auditions, and holds a master’s degree in Opera Performance
from Longy School of Music.
Adrienne Metzinger returns as a vocal
soloist with One World Symphony after having sung Cornelia
in Giulio Cesare in June of 2006 and selections from Les
nuits d'été in August of 2007. She is is
a founding member, Graphic Designer and Managing Director of
One World Symphony. Ms. Metzinger had the honor of singing
our National Anthem to begin New York City’s televised
2003 Veteran’s Day Parade as well as at a ceremony honoring
Senator Hillary Clinton held by the United Spinal Association.
In June of 2003, she made her Weill Recital Hall at Carnegie
Hall debut singing the music of Kurt Weill. Some of her opera
credits include Emilia (Otello), Mercedes (Carmen),
Lola (Cavalleria Rusticana), Prince Orlofsky (Die
Fledermaus), Flora and Annina (La Traviata), Peep-Bo
(The Mikado), Countess Ceprano (Rigoletto), Kate
(Madama Butterfly), The Sandman/Dew Fairy (Hansel
and Gretel), and Kate (Ballad of Baby Doe) as well
as Barbarina (Le Nozze di Figaro). She has also made
numerous appearnces with One World Symphony as a featured soloist
in Britten’s Ceremony of Carols, Bach’s Magnificat,
Mendelssohn’s A Midsummer Night’s Dream,
and Humperdinck’s Hansel and Gretel as well many
chamber and opera concerts singing selections by Barber, Verdi,
Offenbach, and Weill to name a few. Ms. Metzinger has
also performed world premiere works by Kyle Gann (orchestrated
by Sung Jin Hong), Joan Dawidziak and Stan Grill.
Mezzo-soprano Alison Taylor Cheeseman (Dryade)
is pleased to be singing once again with the One World Symphony.
She has also performed with many other opera companies and
ensembles including the Amato Opera, the New York State Early
Music Association, Bronx Opera, Human Company, Christopher
Caines Dance Company, the New York Gilbert & Sullivan Society,
Cerddorion Vocal Ensemble, and Cantori New York. Her repertoire
ranges from Baroque opera to world premieres of works by living
composers, such as Jihwan Kim’s David and Goliath (David).
Recent roles include the Lounge Singer (The Death of Faust),
the Voice of Orpheus in Orpheus and Eurydice, alto soloist
in Händel’s Messiah, Suzuki in Puccini's Madama
Butterfly, and Cherubino in Mozart’s The Marriage
of Figaro.
Baritone Mark
Riley has apprenticed with Chautauqua Opera, Fort Worth
Opera, Opera Memphis and Ashlawn Opera Festival. He has also
performed with Augusta Opera, Shreveport Opera and Longview
Opera. His favorite roles performed include Marcello in La
Bohème, Papageno in The Magic Flute, Sid
in Albert Herring, Count Almaviva in Le Nozze di
Figaro, and Gugliemo in Cosi fan tutte. Mark received
his Masters in vocal performance from Louisiana State University
and his Bachelors from Mercyhurst College. He is a recipient
of the Governor's Award for the National Association of the
Teachers of Singing awarded to the singer with the most career
potential. He has also performed in Master Classes with such
well-known artists as Jay Lessenger, Phyllis Curtin, Robert
Ward, Heidi Grant Murphy, Michael Eliason and Robert Grayson.
He currently resides in Belleville, NJ with his wife Pamela,
who is a flutist. Mr. Riley made his debut with One World Symphony singing Adam in selections from Haydn's The Creation in April of this year.
Jack Anderson White, Baritone, most recently
sang Captain Balstrode in Peter Grimes with One World
Symphony and Mozart’s Figaro with Eastern Festival
Opera. Other credits: Handel’s Saul (One World
Symphony); Elder Ott , Susannah (Dicapo Opera Theater);
Boilermaker, Heart of Darkness (American Opera Projects);
Loudspeaker, The Emperor of Atlantis (Opera Gaya); Papageno, The
Magic Flute (Opera Carolina Theater); Bobby, Mahagony
Singspiel (Des Moines Metro Opera); Elder McClean, Susannah (Indianapolis
Opera); Minotaur, Ariane (Opera Gaya); Publio, La
Clemenza di Tito and Escamillo, Carmen (One World
Symphony); Belcore, L’elisir d’amore and
John Proctor, The Crucible (Liederkranz Opera Theatre);
and Bartolo, Il barbiere di Siviglia (Opera in the Heights
. Upcoming: Marcello, La Bohème (Eastern Festival
Opera). Mr. White is a winner of the Aspen Music Festival Voice
Competition and a Semi-Finalist of the Palm Beach Opera Competition.
Jim
Trainor debuts this season with One World Symphony in
the role of Marcello in La Bohème and Ned Keane
in Peter Grimes. "Special note must be made of
Mr. Trainor, whose baritone filled every corner of the Music
Hall" and "throughout the evening proved a powerful
presence in his solos and ensembles." "A richly-romantic
voice put Mr. Trainor in musical command over his fellow
cast members" are just some of the ways in which critics
have described the singing of Jim Trainor. Roles have included;
Belcore in L'eleisir d'amore, Marcello in La Bohème,
Allazim in Mozart's Zaide, Il Conte in Le Nozze
di Figaro, Harlekin in Ariadne auf Naxos, Lescaut
in Massenet's Manon, and Bob in The Old Maid and
the Thief. Equally at home in Musical Theatre genre,
Mr. Trainor portrayed Carl Magnus in A Little Night Music starring
legendary soprano Carol Yahr in the role of Desiree, Billy
Bigelow in Carousel and the leading male soloist in Jaques
Brel is Alive and Well and Living in Paris. Mr. Trainor's
solo repertoire in Oratorio includes Brahms' Ein Deutches
Requiem, Pucell's Come Ye Sons of Arts, Chartpentier's Te
Deum, Vaughan Williams' Five Mystical Songs, Händel's Messiah,
which was heard in Key West under the baton of Dean Walters,
Faure's Requiem, Jesus Christ in the St. John Passion by
Bach.
Frank
Martinez, tenor, sings the Rector in Peter Grimes.
Roles include Eisenstein in Die Fledermaus, Third
Jew in Salomé, Narcisso in Il Turco in Italia,
Bill in A Hand of Bridge, Feri in Kalman's Gypsy
Princess and Kaspar in Amahl and the Night Visitors with
OWS, Cantiamo, NYMVAE, Stony Hill Players and Opera Piccola
Bremen. Mr. Martinez continues this year with OWS as Scaramuccio
in Ariadne auf Naxos and Uriel (cover) in The Creation.
In recital, Mr. Martinez has recently performed Songs
of the Sea at the New York City Bar Association and Love
Songs at the YM and YWHA of Washington Heights. Originally
from California, he has voice degrees from Indiana University,
Bloomington and the University of Massachusetts, Amherst,
and studies voice with Michael Paul.
Oliver
Söhngen, born in Germany, educated in Germany and
The Cleveland Institute of Music, now lives in Long Island
City and serves on the faculty of the Queens New York School
of Music. He returns to One World Symphony after he sang
the Fourth Jew in their production of Salomé. Mr.
Söhngen has appeared as Bastien at the Styriarte Festival
in Graz, Austria which was broadcast on television. He has
sung the Evangelist in St. John's and St. Matthew's Passions,
and performed with Rathaushofoper Konstanz, Fireland Symphony
and Gaudio-Kammerorchester Leverkusen. Mr. Söhngen's
proudest professional achievement to date is producing, designing
and singing in Cleveland Public Theatre's production of Viktor
Ullmann's opera Der Kaiser von Atlantis, where he
was featured in the roles of Harlekin and the Soldier. For
this he received the prestigious Northern Ohio Live award.
Mr. Söhngen is also a proud husband father of an adorable
15 month old daughter Isabel, with his beautiful wife Amanda.
He is currently continuing his studies with Beth Roberts
and Anthony Manoli, concentrating on the German dramatic
tenor repertoire.
Bass-baritone Darren Walker's credits
include Doctor Grenvil in New Jersey Verismo Opera's La
Traviata, Simone in Chelsea Opera's Gianni Schicci,
Ramfis in One World Symphony's Aida, the title role
in One World Symphony's Saul (Händel), First Soldier
in One World Symphony's Salomé, the Speaker in
Dicapo Opera's The Magic Flute, Masetto in Don Giovanni,
Melchior in Amahl and the Night Visitors, the Sacristan
in Cantiamo Opera's Tosca, The Commissioner in Dicapo's Madame
Butterfly, and Count Ceprano in Connecticut Grand Opera's Rigoletto.
Character Tenor Isai Jess Muñoz has received critical acclaim nationwide for his refined singing and engaging stage presence. In 2006 Isai Jess debuted with The American Composers Symphony at Carnegie Hall, The Spokane Symphony, The Ridgewood Symphony, and The Utah Festival Opera. Engagements in 2007-2008 include A tribute to Academy Award Winner Ennio Morricone at Radio City Music Hall, The Psalms of Ruby Redd Off-Broadway at AMAS, and King Arthur at New York City Opera. Mr. Muñoz has appeared with The New York Philharmonic, American Symphony Orchestra, Ohio Light Opera, Cincinnati Opera, New Jersey Verismo Opera, Bard Summerscape, The Edinburgh Fringe Festival of Scotland and many more. Mr. Muñoz holds a Master's Degree in Vocal Performance from The Manhattan School of Music and a Bachelors Degree in Voice and Acting from the Cincinnati College-Conservatory of Music.
Tenor Cameron Rau is from Redlands, California
but has lived in New York since the fall of 2006. He recently
returned from Florida, where he performed with the Sarasota
Opera Company as an apprentice artist in their 2008 winter
season. Before moving to New York, Mr. Rau attended the Blair
School of Music at Vanderbilt University where he studied voice
with Dr. Jonathan Retzlaff and coached with Dr. Melissa Rose.
While at Vanderbilt he performed in numerous productions with
the Vanderbilt Opera Theater. Mr. Rau graduated with honors
2006 with a bachelor's degree in vocal performance. He lives
in Brooklyn, New York, coaches with Kelly Horsted and studies
voice with Mark Oswald.
Sung Jin Hong: Artistic Director and Conductor
Lawrence Rush: Stage Director
Wei-En Hsu, Jihwan Kim: Pianists, Coaches
Kylie Colan: Assistant Stage Director
|
June 27, 2008 | June 29, 2008 |
| Ariadne/Primadonna: | Lauren Bradley | Natasha Uspensky |
| Zerbinetta (dancer): | Katherine Wessinger | Amberleigh Aller |
| Der Komponist (The composer): |
Karen Rich | Elena McEntire |
| Bacchus/Der Tenor: | Caleb Stokes | Caleb Stokes |
| Najade (a nymph): | Rebekah Beaver | Laura Farmer |
| Echo (a nymph): | Mechelle Tippets | Katherine Wessinger |
| Dryade (a nymph): | Alison Cheeseman | Adrienne Metzinger |
| Harlekin: | Mark Riley | Jack White |
| Musiklehrer (music teacher): | James Trainor | James Trainor |
| Brighella: | Ethan Fran | Ethan Fran |
| Scaramuccio: | Frank Martinez | Oliver Söhngen |
| Truffaldino: | Darren Walker | Darren Walker |
| Der Haushofmeister (The Major Domo): |
Michael Mariani | Michael Mariani |
| Ein Tanzmeister (A dance master): |
Isai Muñoz | Cameron Rau |
| Ein Lakai (A footman): | Jonathan Keeley | Jonathan Keeley |
| Ein Peruckenmacher (A wigmaker): |
Lawrence Rush | Lawrence Rush |
| Ein Offizier (An officer): | Kylie Colan | Kylie Colan |
Friday, June 27, 2008
St. Ann and the Holy Trinity
Brooklyn Heights, New York
Sunday, June 29, 2008
Ansche Chesed Synagogue
Manhattan, New York
